{"id":223,"date":"2013-01-10T12:04:14","date_gmt":"2013-01-10T08:04:14","guid":{"rendered":"http:\/\/www.annaf.fr\/?p=223"},"modified":"2020-04-28T09:52:46","modified_gmt":"2020-04-28T05:52:46","slug":"le-temps-dune-craie","status":"publish","type":"post","link":"https:\/\/www.annaf.fr\/?p=223","title":{"rendered":"le temps d&rsquo;une craie |2013"},"content":{"rendered":"<p>Vid\u00e9o FHD,<br \/>\nDur\u00e9e : 6&rsquo;52<br \/>\nPerformance de Yug Techrit pour annaf<\/p>\n<p><iframe loading=\"lazy\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/8K7TxKNBZmk?feature=oembed\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p>6&rsquo;52 \u00e0 se coltiner \u00e0 l&rsquo;infini&#8230; Le temps d&rsquo;une craie.<\/p>\n<p>Cette vid\u00e9o est r\u00e9alis\u00e9e comme une trace de performance ant\u00e9rieure, enregistr\u00e9e en un seul plan fixe ininterrompu.<\/p>\n<p>Le performeur, dos tourn\u00e9 \u00e0 l\u2019objectif et face \u00e0 un tableau noir, tend son bras droit et trace \u00e0 main lev\u00e9e, \u00e0 la craie, en un mouvement d\u00e9termin\u00e9, constant le symbole d\u2019unicode ou la lemniscate de John Wallis. La longue lanc\u00e9e circulaire, r\u00e9p\u00e9titive du performeur s\u2019interrompt une fois le bout de craie dans sa main enti\u00e8rement \u00e9puis\u00e9.<\/p>\n<p>La volont\u00e9 jusqu&rsquo;\u00e0 l&rsquo;acharnement, au del\u00e0 et par del\u00e0 de nos forces,\u00a0conduit \u00e0 une sorte de vertige qui nous ouvre \u00e0 l&rsquo;infini et \u00e0 l&rsquo;\u00e9ternit\u00e9.<br \/>\nCe mouvement de reprise et de retour caract\u00e9rise toute vie spirituelle et simultan\u00e9ment souligne la condition humaine et la vanit\u00e9 de l&rsquo;action.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vid\u00e9o FHD, Dur\u00e9e : 6&rsquo;52 Performance de Yug Techrit pour annaf &nbsp; 6&rsquo;52 \u00e0 se coltiner \u00e0 l&rsquo;infini&#8230; Le temps d&rsquo;une craie. Cette vid\u00e9o est r\u00e9alis\u00e9e comme une trace de performance ant\u00e9rieure, enregistr\u00e9e en un seul plan fixe ininterrompu. Le performeur, dos tourn\u00e9 \u00e0 l\u2019objectif et face \u00e0 un tableau noir, tend son bras droit [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":227,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"gallery","meta":[],"categories":[56,30],"tags":[],"_links":{"self":[{"href":"https:\/\/www.annaf.fr\/index.php?rest_route=\/wp\/v2\/posts\/223"}],"collection":[{"href":"https:\/\/www.annaf.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.annaf.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.annaf.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.annaf.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=223"}],"version-history":[{"count":8,"href":"https:\/\/www.annaf.fr\/index.php?rest_route=\/wp\/v2\/posts\/223\/revisions"}],"predecessor-version":[{"id":1705,"href":"https:\/\/www.annaf.fr\/index.php?rest_route=\/wp\/v2\/posts\/223\/revisions\/1705"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.annaf.fr\/index.php?rest_route=\/wp\/v2\/media\/227"}],"wp:attachment":[{"href":"https:\/\/www.annaf.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=223"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.annaf.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=223"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.annaf.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}